Analytical Essays on Music by Women Composers Secular & Sacred Music to 1900
Lang, Fanny Hensel, Clara Schumann, and Amy Beach. Written by outstanding music theorists and musicologists, the essays provide fascinating in-depth critical-analytic explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical
context. Each essay is introduced by a brief biographical sketch of the composer by the editors. The collection--Volume 1 in an unprecedented four-volume series of analytical studies on music by women composers--is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of
music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles,
conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.
| Publisher Name | Oxford University Press USA |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | MUS |
| Language | NG |
| Isbn 10 | 0190077131 |
| Isbn 13 | 9780190077136 |
| Target Age Group | min:NA, max:NA |
| Dimensions | 00.91" H x 00.06" L x 10.00" W |
| Page Count | 288 |
Laurel Parsons has taught music theory and aural skills at the University of British Columbia, the University of Victoria, Queen's University, and the University of Oregon. Her research interests include aural skills pedagogy and learning differences, and the music of Elisabeth Lutyens. From 2012-15
she chaired the Society for Music Theory's Committee on the Status of Women. Brenda Ravenscroft is Professor of Music Theory and Dean of the Schulich School of Music at McGill University. Her research focuses on post-tonal American music, text and music, rhythmic organization, and pedagogy. She chaired the Society for Music Theory's Committee on the Status of Women from 2006
to 2009.
