Hegels Aesthetics The Art of Idealism

Author: Hagendorf, Col
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Aesthetics |
Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows
the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience.

In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts--architecture, sculpture, painting, music, and poetry--on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new
approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By
incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his
contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers.

Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy.

Publisher Name Oxford University Press USA
Author Name Hagendorf, Col
Format Audio
Bisac Subject Major PHI
Language NG
Isbn 10 0190847328
Isbn 13 9780190847326
Target Age Group min:NA, max:NA
Dimensions 00.83" H x 00.05" L x 70.00" W
Page Count 352


Lydia Moland is Associate Professor of Philosophy at Colby College. She is the author of Hegel on Political Identity (Northwestern University Press, 2011) and the editor of All Too Human: Laughter, Humor, and Comedy in Nineteenth-Century Philosophy (Springer, 2018). She has published articles on
Hegel's political and aesthetic philosophy, the playwright and philosopher Friedrich Schiller, and the American abolitionist Lydia Maria Child. She is the recipient of grants from the NEH, the ACLS, and the American Academy in Berlin.

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