The Cognitive Continuum of Electronic Music
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The use of the electronic medium to compose music entails a variety of cognitive idiosyncrasies for both the artist and the listener. The studio becomes a musical instrument that allows the composer to imagine through the endless possibilities of sound. This book offers a comprehensive analysis of the cognitive processes involved in the experience of electronic music. Structured around a cognitive investigation of electronic music on both practical and conceptual levels, this book addresses the following questions: How do we experience electronic music? How does electronic music operate on perceptual, cognitive, and affective levels? What are the common concepts activated in the listener's mind when listening to electronic music? Why and how are these concepts activated? It argues that our experience of electronic music is guided by a cognitive continuum rooted in our everyday experiences.
| Publisher Name | Bloomsbury Academic |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | MUS |
| Language | NG |
| Isbn 10 | 1501357123 |
| Isbn 13 | 9781501357121 |
| Target Age Group | min:NA, max:NA |
| Dimensions | 00.00" H x 00.00" L x 00.00" W |
| Page Count | 208 |
Anil amci is an Assistant Professor of Performing Arts Technology at the University of Michigan, USA. His work
investigates new tools and theories for multimodal worldmaking using a variety of media ranging from electronic music to virtual reality.
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