Puccinis La Bohme
versions and the endorsements of star singers. More recently, popular songs, film soundtracks and musicals that draw on the opera's music and themes added further to its immense cultural impact. This cultural history offers a fresh reading of a familiar work. Wilson argues that La Bohme's approach to realism and its flouting of conventions of the Italian operatic tradition made it strikingly modern for the 1890s. She explores how Puccini and his librettists engaged with gender, urban
poverty and nostalgia--themes that grew out of the work's own time and continue to resonate with audiences more than 120 years later. Her analysis of the opera's depiction of Paris reveals that La Bohme was not only influenced by the romantic mythologies surrounding the city to this day but also
helped shape them. Wilson's consideration of how directors have reinvented this opera for a new age completes this fascinating history of La Bohme, making it essential reading for anyone interested in this opera and the works it inspired.
| Publisher Name | Oxford University Press USA |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | MUS |
| Language | NG |
| Isbn 10 | 0190637889 |
| Isbn 13 | 9780190637880 |
| Target Age Group | min:NA, max:NA |
| Dimensions | 00.83" H x 00.05" L x 40.00" W |
| Page Count | 172 |
Alexandra Wilson is Professor of Music and Cultural History at Oxford Brookes University. Her research focuses on opera and operatic culture from the nineteenth century to the present. Her publications include the award-winning The Puccini Problem: Opera, Nationalism, and Modernity and a monograph
on Opera in the Jazz Age: Cultural Politics in 1920s Britain (OUP, 2019), and she regularly works with the UK's leading opera companies.
