After Debussy Music Language and the Margins of Philosophy
in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the
music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought--the gap between language and our embodied relation to the world--but also offers a solution. With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Faur and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of
French writers and philosophers, from Mallarm and Proust to Merleau-Ponty, Janklvitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of
understanding each discipline but also lays the groundwork for exciting new discourse between them.
| Publisher Name | Oxford University Press USA |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | MUS |
| Language | NG |
| Isbn 10 | 0190066822 |
| Isbn 13 | 9780190066826 |
| Target Age Group | min:NA, max:NA |
| Dimensions | 00.95" H x 00.06" L x 30.00" W |
| Page Count | 396 |
Julian Johnson is Regius Professor of Music at Royal Holloway, University of London, having earlier been a Reader at the University of Oxford and Lecturer at the University of Sussex. He was for many years an active composer, receiving professional performances and broadcasts in Europe, the USA and
Japan, a background that continues to shape his musicological work. He has published widely on music and musical aesthetics from the late 18th century to the present, with a particular focus on the cultural and historical significance of musical modernism. His work is always shaped by questions of
musical meaning and value, evident in an engagement with the philosophy of music, ideas of nature and landscape, and the relation of music to literature and visual art. In addition to being a regular invited speaker at international academic conferences, Julian is committed to fostering a wider
public understanding of music. For the last 25 years he has been a frequent guest on BBC Radio and given numerous public talks for leading orchestras and opera companies. In 2005 he was awarded the Dent Medal of the Royal Musical Association and, in 2013, became the first holder of the Regius Chair
of Music at Royal Holloway. In 2017, he was elected to a Fellowship of the British Academy.
