Lana and Lilly Wachowski
Cel M. Keegan views the Wachowskis' films as an approach to trans* experience that maps a transgender journey and the promise we might learn "to sense beyond the limits of the given world." Keegan reveals how the filmmakers take up the relationship between identity and coding (be it computers or genes), inheritance and belonging, and how transgender becoming connects to a utopian vision of a post-racial order. Along the way, he theorizes a trans* aesthetic that explores the plasticity of cinema to create new social worlds, new temporalities, and new sensory inputs and outputs. Film comes to disrupt, rearrange, and evolve the cinematic exchange with the senses in the same manner that trans* disrupts, rearranges, and evolves discrete genders and sexes.
| Publisher Name | University of Illinois Press |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | PER |
| Language | NG |
| Isbn 10 | 0252042123 |
| Isbn 13 | 9780252042126 |
| Target Age Group | min:NA, max:NA |
| Series | 000702782 |
| Dimensions | 00.84" H x 00.05" L x 70.00" W |
| Page Count | 196 |
Cel M. Keegan is an assistant professor of women, gender, and sexuality studies and liberal studies at Grand Valley State University.
