Music Criticism and Music Critics in Early Francoist Spain
public. While music critics and journalists were by no means free from government control and direction, music criticism under the Franco regime did not adhere to any official party "line" on music. Indeed, music criticism often demonstrated a diversity of opinion and ideological belief that runs
counter to many common assumptions about journalism under fascist regimes. In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodrguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Although she does not shy away from the thorny issues of propaganda and
censorship, Moreda Rodrguez considers other factors that shaped the journalistic discourse surrounding music. Political rivalries, ideological diversity within musical "conservatism," as well as the explicit and implicit expectations of the Franco government all influenced the diverse landscape of
music criticism. Moreover, the central issues that music critics were concerned with during Francoism's early years-modernist music, Spanish early music, traditional music, and music's role in organizing the state-had already been at the center of debates within the press for several decades.
Carefully selecting contemporary writings by well-known music critics, Moreda Rodrguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards. The first critical study of the musical press of Francoist
Spain in the broader cultural and social fabric of the regime, Music Criticism and Music Critics in Early Francoist Spain is an essential resource for musicologists interested in 20th-century Spain, as well as Hispanists interested in the early Franco regime.
| Publisher Name | Oxford University Press USA |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | MUS |
| Language | NG |
| Isbn 10 | 0190215860 |
| Isbn 13 | 9780190215866 |
| Target Age Group | min:NA, max:NA |
| Dimensions | 00.93" H x 00.06" L x 30.00" W |
| Page Count | 192 |
Eva Moreda Rodrguez specializes in the political and cultural history of Spanish music during the 20th century. She has published on topics such as Hispanic-German music festivals during the Second World War, the rehabilitation of exiled composers in Francoist Spain, and Spanish music in Britain
during the First World War. She holds a PhD from Royal Holloway College, University of London, and currently works at the University of Glasgow.
