Camilla or A picture of youth

THE historian of human life finds less of difficulty and of intricacy to develop, in its accidents and adventures, than the investigator of the human heart in its feelings and its changes. In vain may Fortune wave her many-coloured banner, alternately regaling and dismaying, with hues that seem glowing with all the creation's felicities, or with tints that appear stained with ingredients of unmixt horrors; her most rapid vicissitudes, her most unassimilating eccentricities, are mocked, laughed at, and distanced by the wilder wonders of the Heart of man; that amazing assemblage of all possible contrarieties, in which one thing alone is steady-the perverseness of spirit which grafts desire on what is denied. Its qualities are indefinable, its resources unfathomable, its weaknesses indefensible. In our neighbours we cannot judge, in ourselves we dare not trust it. We lose ere we learn to appreciate, and ere we can comprehend it we must be born again. Its capacity o'er-leaps all limit, while its futility includes every absurdity. It lives its own surprise-it ceases to beat-and the void is inscrutable! In one grand and general view, who can display such a portrait? Fairly, however faintly, to delineate some of its features, is the sole and discriminate province of the pen which would trace nature, yet blot out personality.