Free Music 1960 80 Anthology of Open Music
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What kind of music is " free music"?
The answer to that is not easy. This is because a fixed music genre called "Free music" does not exist.
However, looking at the music scene in the 20 years between 1960-1980, it would be safe to say that "Free Jazz" and "Collective music in Contemporary music" did fit the bill of "Free music."
Also, we believe that it is the very Free music that looks deeply into society, while also having an influence as the most fundamental element of music, evoking music in all of culture. This is because art and music after Postmodernism also exists precisely because of the avant-garde art and music.
Therefore, we strongly feel there is a need for an anthology of "Free Music" that overlays the current situation on the past horizon, and that acts as an aid in constructing a successive culture. Introduction
1.Season of the change
TERUTO SOEJIMA
2.From free Jazz to Free improvisation
KAZUE YOKOI
3.To the AACM dash diary
SABU TOYOZUMI
4.Improvisation and Record
Onnyk KINNO
5.An essay for the liner note for Abe Kaoru "Mort a Credit" written by AIDA AKIRA
KenYa KAWAGUCHI
6.Toward dismantling of music: The Times of Vedda music Workshop
TAKASHI KAZAMAKI
7.Free music: Practical Process for Chaosmos
KOJI KAWAI
8.Fragmentary Studies of Improvisation
TETURA MIYATA
9.Introduction to A Theory about Improvisation
NOBUO SHIGA
Concept & Freedom...Free Jazz
10.SHIRO YAMASHITA
Afterword DISK Guide
Onnyk KINNO, TAKEO SUETOMI, KAZUE YOKOI,
KOJI KAWAI, HARUMI MAKINO, KenYA KAWAGUCHI, SABU TOYOZUMI, Edited by Chap Chap Records
http: //www.chapchap-music.com
The answer to that is not easy. This is because a fixed music genre called "Free music" does not exist.
However, looking at the music scene in the 20 years between 1960-1980, it would be safe to say that "Free Jazz" and "Collective music in Contemporary music" did fit the bill of "Free music."
Also, we believe that it is the very Free music that looks deeply into society, while also having an influence as the most fundamental element of music, evoking music in all of culture. This is because art and music after Postmodernism also exists precisely because of the avant-garde art and music.
Therefore, we strongly feel there is a need for an anthology of "Free Music" that overlays the current situation on the past horizon, and that acts as an aid in constructing a successive culture. Introduction
1.Season of the change
TERUTO SOEJIMA
2.From free Jazz to Free improvisation
KAZUE YOKOI
3.To the AACM dash diary
SABU TOYOZUMI
4.Improvisation and Record
Onnyk KINNO
5.An essay for the liner note for Abe Kaoru "Mort a Credit" written by AIDA AKIRA
KenYa KAWAGUCHI
6.Toward dismantling of music: The Times of Vedda music Workshop
TAKASHI KAZAMAKI
7.Free music: Practical Process for Chaosmos
KOJI KAWAI
8.Fragmentary Studies of Improvisation
TETURA MIYATA
9.Introduction to A Theory about Improvisation
NOBUO SHIGA
Concept & Freedom...Free Jazz
10.SHIRO YAMASHITA
Afterword DISK Guide
Onnyk KINNO, TAKEO SUETOMI, KAZUE YOKOI,
KOJI KAWAI, HARUMI MAKINO, KenYA KAWAGUCHI, SABU TOYOZUMI, Edited by Chap Chap Records
http: //www.chapchap-music.com
| Publisher Name | Createspace Independent Publishing Platform |
|---|---|
| Author Name | Hagendorf, Col |
| Format | Audio |
| Bisac Subject Major | MUS |
| Language | PN |
| Isbn 10 | 1522997377 |
| Isbn 13 | 9781522997375 |
| Target Age Group | min:NA, max:NA |
| Dimensions | 00.90" H x 00.06" L x 00.00" W |
| Page Count | 176 |
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