The Politics of Princely Entertainment Music and Spectacle in the Lives of Lorenzo Onofrio and Maria Mancini Colonna
essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored. At the time, profound social and cultural transformations influenced the production and consumption of music in radical and
permanent ways, not least through the influence of the Colonna family - Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. Two of the most active patrons of seventeenth-century Italy, they were particularly active in the musical life of Rome. Through their sponsorship of an unprecedented
number of operas, serenatas, and oratorios, they supported the careers of the most prominent composers, librettists, and musicians of the period. A new exploration of this period of music patronage, The Politics of Princely Entertainment follows Lorenzo Onofrio and Maria beyond the borders of Rome and through their far-reaching personal and institutional travels - to Venice, Naples, and the Kingdom of Aragon. Author Valeria De Lucca traces
the journeys of not only scores and librettos, but also the singers, composers, and librettists whose art reached these distant corners of Europe through the Colonna family's patronage activities. The Politics of Princely Entertainment is a welcome addition to scholarly understanding of music
patronage beyond traditional boundaries of gender, geography, and institutions.
Publisher Name | Oxford University Press USA |
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Author Name | Hagendorf, Col |
Format | Audio |
Bisac Subject Major | MUS |
Language | NG |
Isbn 10 | 0190631139 |
Isbn 13 | 9780190631130 |
Target Age Group | min:NA, max:NA |
Dimensions | 00.93" H x 00.06" L x 20.00" W |
Page Count | 408 |
Valeria De Lucca is Associate Professor of Music at the University of Southampton. Her research engages with the social and political implications of production, staging and circulation of opera and musical theater, with a particular emphasis on women patrons and on the lives and careers of female
singers in early modern Italy.